WORKS: Shelley Barry – Writing

Texts by Shelley Barry

Barry, Shelley (2013) Disability and desire: journey of a film-maker – life story. In: Ekine, Sokari (ed.) Queer African Reader. Nairobi, Dakar: Pambazuka Press.

Barry, Shelley (2011) The travelling poet. South Africa: British Council.

Barry, Shelley (2007) dipping inside elephantʼs eye. Presented at the 11th South African Womenʼs Arts Festival (SAWAF) 31 July – 12 August, The Playhouse, Durban.

Barry, Shelley (2006) Why this meeting is important. International Action Network on Small Arms (IANSA) presentation to the UN Small Arms Review Conference 26 June-7 July 2006. French here [download pdf here or here] Draft report of the meeting here.

Barry, Shelley (2006) Disability and desire: journey of a filmmaker. Feminist Africa 6: Subaltern Sexualities, 65-68.
[download pdf here]

Barry, Shelley (2005) voice/over. Sister Namibia 17:1, 31. [download pdf here]

Barry, Shelley, Deela Khan & Malika Ndlovu (eds.) (2003) Ink@ Boiling Point: A Selection of 21st Century Black Women’s Writing from the Southern Tip of Africa. Cape Town: WEAVE.

Barry, Shelley (2001) Strip. Surrender. Agenda: Empowering Women for Gender Equity. African Feminisms One. No. 50, 128-130. [download pdf here]

Barry, Shelly (1998). Changing attitudes: an overview of awareness raising about disability in South Africa. Media Officer, Office on the Status of Disabled Persons, The Presidency, The Republic of South Africa.
Published in 2001 as: Changing attitudes: an overview of awareness raising about disability in South Africa. Disability World 9 [download pdf here].

INTERVIEWS/FEATURES: Shelley Barry

Motsa, Sihle (2020) ‘Scars Should also be Crowned’: reflecting on Shelley Barry’s cinematic oeuvre. Africa South Art Initiative(ASAI). Available online here [dowload pdf here]

Staff Writer (2018) Paralysed by gangs. Fighting back with film. Beautiful News
[download pdf here]

Staff Writer (2018) How Barry’s disability never stopped her from making wonderful films. TimesLive, 28 March 2018. Available online here [download pdf here]

O’Reilly, Athina (2018) Film industry honour for ex-PE women. The Herald, 27 March 2018. Available online here [download pdf here]

Staff Writer (2015) Cape Town’s fearless females. A look at six trailblazing Mother City ladies. Cape Town Magazine
[download pdf here]

Staff Writer (2015) Feminist Filmmaker Meets Boss Bitch Rapper. The Journalist, 16 June 2015. Available online here [download pdf here]

Staff Writer (2015) Reader Profile – Scars, the body, survival…love for life. Rolling Inspiration. [download pdf here]

I am Woman. Shelley Barry. Season 2, Episode 17 (aired 28 July 2013)
Watch here, or here, [download pdf here]

Against All Odds. Award winning film-maker Shelly Barry reaches remarkable heights. ENCA 21 August 2013.
Watch here, or here.

You know that saying ‘When life gives you lemons, make lemonade?’ Look at what these three women made from their traumatic experiences

Kgaboesele, Kitso (2006) Triumph. Shelley Barry – Trauma: Paralysed in a taxi shooting. Passion: Making real-life movies. Femina Issues 2517-2520.

REVIEWS: Shelley Barry

Fisher, Tyrone (2019) Creativate Digital Arts Festival: Something For The Insanely Curious. between 10 and 5 (online).
Available online here [download pdf here]

Moonsamy, Nedine (2019) The poetic revolution will not be anthologized. africasacountry September 2010 (online).
Available online here [download pdf here]

Kamaldien, Yazeed (2016) Cape poet urges universities to teach his work. Sunday Argus 27 March 2016.
Available online here [download pdf here]

2015 Two Short Films by South African filmmaker Shelley Barry at the Firehouse this April. Manhattan Neighbourhood Network (online).
Available online here [download pdf here]

Collison, Carl (2014) An ode to a dissident. Southern Suburbs Tatler, 12 June 2014
[download pdf here]

Jacobs, Sean (2010) Film director Shelley Barry @ NYU. africasacountry 28 April 2010 (online).
Available online here [download pdf here]

Tsumele, Edward (2008) Wits Arts and Literature Experience, 3-6 April 2008. Sowetan Live 3 April 2008 (online).
Available online here [download pdf here]

Willemse, Nicky (2007) Opposing worlds united on screen. Weekend Post (n.d.)
[download pdf here]

2005 disABILITIES Film Festival Archive, The Museum of disABILITY History, New York (online).
Available online here [download pdf here]

INTERVIEWS/FEATURES: Reshma Chhiba

Publications and interviews featuring Reshma Chhiba

Screaming, walk-in vagina at a former women’s prison
AFP news agency, 30 August 2013
A walk-in vagina has been installed at Johannesburg’s old women’s jail, to celebrate women’s month. Visitors are invited to enter the art work to a soundtrack of screaming and laughter, which represents the Hindu Goddess Kali.

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WORKS: Reshma Chhiba – Writing

Texts by Reshma Chhiba

Chhiba, R. (2017) The two talking yonis : the use of Hindu iconography in conversations of race, identity, politics and womanhood within contemporary South African art. Nidan : International Journal for Indian Studies, Volume 2 Number 2, pp. 44 – 60
This article looks at the use of Hindu iconography within South African visual art practice and its relation to race, identity, politics and womanhood in the work of Reshma Chhiba. It draws primarily on work from the 2013 exhibition entitled The Two Talking Yonis: Reshma Chhiba in conversation with Nontobeko Ntombela, and discusses Chhiba’s use of the image of the goddess Kali, the concept of yoni, the use of Bharatanatyam and understandings of feminine energy in relation to womanhood. It also threads a narrative of Chhiba’s ancestry through a poetic description of her grandmother’s journey from India to South Africa, and the embodiment of Kali as a form of defiance not only in her work, but also in her grandmother.
https://journals.co.za/content/journal/10520/EJC-c195dbc56

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WORKS: Reshma Chhiba – Performance

Bharatanatyam Choreography and Performance by/with Reshma Chhiba

ShrEe – I am more than just my body – Gandhi Hall, Lenasia, Johannesburg (Poster)

 

SHrEe: I am more than just my body
8 October 2017, Gandhi Hall, Lenasia, Johannesburg

SHrEe, the latest production by Sarvavidya Natyaalaya (SVN) is an unravelling nnd narrative thread of current social issues faced by women in contemporary South Africa. With the sub-theme of I am more than just my body, SHrEe takes its audience back to the time of the Mahabharata and the infamous moment of the disrobing of Draupadi. Threading into this narrative it moves to the present moment, and uses spoken word and contemporary dance movement to retell stories of violence and violation against women. The production slowly unpacks the various emotional stages that women, who have experienced some form of violation or abuse, go through. SHrEe aims to reveal the primal force within these women, the goddess in various stages of being, in various stages of womanhood. From the ferocious rage of the violated woman (Kali), to collective teaching, learning and fighting, where words and voice are weapons (Saraswati), to the ironies of how society treats women, whether married or widowed (Lakshmi) and finally it moves to the claiming back of space, of goddess/woman in a state of equilibrium, who is neither less nor greater than her male counterpart (Ardhanareswara).
ShrEe gives space to female voices who claim their emotional, physical and spiritual power back. “In a country where femicide and rape culture are so rife that it has become a norm, this production aims to bring these narratives and discussions into the public domain through the use of dance” (Chhiba, 2017). Abuse and violation should never be acceptable, therefore I am more than just my body speaks to many variations of abuse but also allows for empowered voices to be heard.”
From www.sarvavidya.co.za

Continue reading “WORKS: Reshma Chhiba – Performance”