Thinking Through, Talking Back: Creative Theorisation as Sites of Praxis-Theory
Art on our Mind panel discussion with Dr Sharlene Khan, Prof Pumla Dineo Gqola, Dr Yvette Abrahams, Prof Neelika Jayawardane and Dr Betty Govinden held as part of the the Colloquium ‘Six Mountains on her back’ (Re)reading African Feminisms at Rhodes University, 21-22 July 2017
An excerpt of the panel discussion was published by Dr Sharlene Khan in Agenda – Empowering women for gender equity 32:3, 2018 entitled: “Thinking Through, Talking Back: Creative Theorisation as Sites of Praxis-Theory” – A creative dialogue between Sharlene Khan, Pumla Dineo Gqola, Yvette Abrahams, Neelika Jayawardane and Betty Govinden. [pdf]
Art on our Mind creative dialogue: Curating as World-Making
Sharlene Khan in conversation with curators Nkule Mabaso, Nomusa Makhubu, Same Mdluli, Nontobeko Ntombela, Zodwa Tutani on the possibilities and challenges in visual arts curation in South Africa (panelists’ biographies below). The discssuion took place in context of Afems 2018 conference ‘The Mute Always Speak’: (Re) imagining and re-imaging feminist futures on 28 September 2018.
VIDEO: Curating as World-Making panel discussion
AUDIO: Curating as World-Making panel discussion
TRANSCRIPT: Curating as World-Making panel discussion
Publications and interviews featuring Reshma Chhiba
Screaming, walk-in vagina at a former women’s prison
AFP news agency, 30 August 2013
A walk-in vagina has been installed at Johannesburg’s old women’s jail, to celebrate women’s month. Visitors are invited to enter the art work to a soundtrack of screaming and laughter, which represents the Hindu Goddess Kali.
Lebohang Kganye is an artist living and working in Johannesburg. Kganye received her introduction to photography at the Market Photo Workshop in 2009 and completed the Advanced Photography Programme in 2011. She also completed her Fine Arts studies at the University of Johannesburg in 2016 and forms a new generation of contemporary South African photographers.
Although primarily a photographer, Kganye’s photography often incorporates her interest in sculpture and performance. Over the past seven years she has participated in photography masterclasses and group exhibitions locally and internationally. Kganye was the recipient of the Tierney Fellowship Award in 2012, leading to her exhibition Ke Lefa Laka. She created an animation from the series, which was launched on Mandela Day 2014 in Scotland, entitled Pied Piper’s Voyage. Kganye was then selected as the Featured Artist for the 17th Business and Arts South Africa Awards in 2014. She was also awarded the Jury Prize at the Bamako Encounters Biennale of African Photography in 2015 and the recipient of the CAP Prize 2016 in Basel. Kganye recently received the coveted award for the Sasol New Signatures Competition 2017, leading to a solo show in 2018. Kganye’s work forms part of several private and public collections, most notably the Carnegie Museum of Art in Pennsylvania and the Walther Collection in Ulm.
Nontobeko Ntombela is a curator based in Johannesburg. She currently works at the Wits School of Arts developing the postgraduate programs in curatorial and exhibition practices. She previously worked as the curator of the contemporary collection at the Johannesburg Art Gallery (2010–12) and the Durban Institute of Technology Art Gallery (2006–10). Her curatorial projects include Solo at Cape Town Art Fair (2018); A Fragile Archive at Johannesburg Art Gallery (2012); MTN New Contemporaries (2010) for which she was guest curator; Layers at the Goodman Gallery project space, Johannesburg (2010); Modern Fabrics at the Bag Factory, Johannesburg (2008); From Here to There at the Association of Visual Arts (AVA), Cape Town (2007), as part of the CAPE 07 fringe. Ntombela has participated in international programs including the Bilateral Exchange Project between Germany and South Africa (2007); Close Connections (Africa Reflected) Curator’s Workshop in Amsterdam (2009); Break the Silence Scotland (2002–3).
Reshma Chhiba is a visual artist and dancer based in Johannesburg. She holds a BAFA (2005) and an MAFA (2013), from the University of the Witwatersrand, and a diploma in Bharatanatyam (2002) from the Institute of Indian Art and Culture (South Africa). She currently serves as Exhibitions Coordinator at The Point of Order, an experimental exhibition space run by the Division of Visual Arts, Wits University. Previously, Chhiba worked at the Visual Identities in Art and Design Research Centre (VIAD), University of Johannesburg (2013 – 2015), and Exhibitions Curator and then Registrar at the Johannesburg Art Gallery (2007 – 2013).
Joint winner of the Wits School of Arts Martienssen Prize 2003, she was selected by the Goethe Institut (2007) to work as an art mediator at Documenta 12, in Kassel, Germany. She has participated in numerous group shows, including Impossible Monsters – Art Extra (2007); Self/Not Self – Brodie Stevenson (2009); Domestic – GoetheonMain (2009), Alterating Conditions: Performing Performance Art in South Africa – GoetheonMain (2011), [Working Title] – Goodman Cape (2012), 21BF – Turbine Hall and Bag Factory (2012), Princess in the veld – KKNK Festival (2015) and others. Her solo exhibitions include Kali – Art Extra (2008) and The Two Talking Yonis – Constitution Hill Women’s Jail, Kalashnikovv Gallery and Room Gallery (2013), in which she collaborated with curator Nontobeko Ntombela. She is also co- founder of Sarvavidya Natyaalaya (SVN), a non-profit classical Indian dance school specialising in Bharatanatyam in South Africa.