An Art on our Mind Creative Dialogue with Sharlene Khan and Nontobeko Ntombela.
Art catalogues, books, and journal articles featuring works by Senzeni Marasela Continue reading “PUBLICATIONS: Senzeni Marasela – Catalogues and Journals”
Reshma Chhiba is a visual artist and dancer based in Johannesburg. She holds a BAFA (2005) and an MAFA (2013), from the University of the Witwatersrand, and a diploma in Bharatanatyam (2002) from the Institute of Indian Art and Culture (South Africa). She currently serves as Exhibitions Coordinator at The Point of Order, an experimental exhibition space run by the Division of Visual Arts, Wits University. Previously, Chhiba worked at the Visual Identities in Art and Design Research Centre (VIAD), University of Johannesburg (2013 – 2015), and Exhibitions Curator and then Registrar at the Johannesburg Art Gallery (2007 – 2013).
Joint winner of the Wits School of Arts Martienssen Prize 2003, she was selected by the Goethe Institut (2007) to work as an art mediator at Documenta 12, in Kassel, Germany. She has participated in numerous group shows, including Impossible Monsters – Art Extra (2007); Self/Not Self – Brodie Stevenson (2009); Domestic – GoetheonMain (2009), Alterating Conditions: Performing Performance Art in South Africa – GoetheonMain (2011), [Working Title] – Goodman Cape (2012), 21BF – Turbine Hall and Bag Factory (2012), Princess in the veld – KKNK Festival (2015) and others. Her solo exhibitions include Kali – Art Extra (2008) and The Two Talking Yonis – Constitution Hill Women’s Jail, Kalashnikovv Gallery and Room Gallery (2013), in which she collaborated with curator Nontobeko Ntombela. She is also co- founder of Sarvavidya Natyaalaya (SVN), a non-profit classical Indian dance school specialising in Bharatanatyam in South Africa.
Reviews of exhibitions curated by Nontobeko Ntombela
Reviews of exhibitions by/with Reshma Chhiba
ALEXANDER JOE/AFP/Getty Images: A woman visits the art installation ‘Giant Walk-In Vagina’ installed at a former women’s prison by artist Reshma Chhiba in Johannesburg on August 27, 2013. Continue reading “REVIEWS: Reshma Chhiba”
Reviews of exhibitions by/with Senzeni Marasela
Senzeni Marasela is a cross-disciplinary artist who explores photography, video, prints, and mixed-medium installations involving textiles and embroidery. Her work deals with history, memory, and personal narrative, emphasizing historical gaps and overlooked figures. Her work includes embroidery, print and video as well as performance and has been widely exhibited in South Africa, Europe and the US. Her work features in prominent local and international collections, including MoMA, New York. She was recently part of the Johannesburg Pavillion at the last Venice Biennale.
Shelley Barry was born and raised in the Eastern Cape, South Africa, and completed graduate studies in English and Drama at the University of Cape Town and University of the Western Cape. She has worked extensively as a disability rights activist, following a shooting in the Cape taxi wars of 1996 that resulted in her being a wheelchair user. She has held positions as Media Manager in the Office on the Status of Disabled Persons in the Presidency and as the National Parliamentary Policy Co-ordinator for Disabled People South Africa. During this time, she co-ordinated Nelson Mandela’s guard of honour for his State of Nation address in 1997. Shelley was awarded Ford Foundation scholarship and graduated with an MFA in Film at Temple University in Philadelphia in 2006. She was a Carnegie scholar at Wits University from 2007-2008 and taught documentary at Big Fish School of Digital Filmmakingand at UWC where she pioneered filmmaking in the Women’s and Gender studies department. Shelley held positions in the FPB South Africa, Mediaworks and currently serves on the board of Street Stories Films. She is associated with Gun Free South Africa and gave a testimony towards ending gun violence at the United Nations in 2006.Continue reading “Shelley Barry”
Talks and presentations by Nontobeko Ntombela
Texts by Nontobeko Ntombela