WORKS: Shelley Barry – Writing

Texts by Shelley Barry

Barry, Shelley (2013) Disability and desire: journey of a film-maker – life story. In: Ekine, Sokari (ed.) Queer African Reader. Nairobi, Dakar: Pambazuka Press.

Barry, Shelley (2011) The travelling poet. South Africa: British Council.

Barry, Shelley (2007) dipping inside elephantʼs eye. Presented at the 11th South African Womenʼs Arts Festival (SAWAF) 31 July – 12 August, The Playhouse, Durban.

Barry, Shelley (2006) Why this meeting is important. International Action Network on Small Arms (IANSA) presentation to the UN Small Arms Review Conference 26 June-7 July 2006. French here [download pdf here or here] Draft report of the meeting here.

Barry, Shelley (2006) Disability and desire: journey of a filmmaker. Feminist Africa 6: Subaltern Sexualities, 65-68.
[download pdf here]

Barry, Shelley (2005) voice/over. Sister Namibia 17:1, 31. [download pdf here]

Barry, Shelley, Deela Khan & Malika Ndlovu (eds.) (2003) Ink@ Boiling Point: A Selection of 21st Century Black Women’s Writing from the Southern Tip of Africa. Cape Town: WEAVE.

Barry, Shelley (2001) Strip. Surrender. Agenda: Empowering Women for Gender Equity. African Feminisms One. No. 50, 128-130. [download pdf here]

Barry, Shelly (1998). Changing attitudes: an overview of awareness raising about disability in South Africa. Media Officer, Office on the Status of Disabled Persons, The Presidency, The Republic of South Africa.
Published in 2001 as: Changing attitudes: an overview of awareness raising about disability in South Africa. Disability World 9 [download pdf here].

WORKS: Reshma Chhiba – Writing

Texts by Reshma Chhiba

Chhiba, R. (2017) The two talking yonis : the use of Hindu iconography in conversations of race, identity, politics and womanhood within contemporary South African art. Nidan : International Journal for Indian Studies, Volume 2 Number 2, pp. 44 – 60
This article looks at the use of Hindu iconography within South African visual art practice and its relation to race, identity, politics and womanhood in the work of Reshma Chhiba. It draws primarily on work from the 2013 exhibition entitled The Two Talking Yonis: Reshma Chhiba in conversation with Nontobeko Ntombela, and discusses Chhiba’s use of the image of the goddess Kali, the concept of yoni, the use of Bharatanatyam and understandings of feminine energy in relation to womanhood. It also threads a narrative of Chhiba’s ancestry through a poetic description of her grandmother’s journey from India to South Africa, and the embodiment of Kali as a form of defiance not only in her work, but also in her grandmother.
https://journals.co.za/content/journal/10520/EJC-c195dbc56

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