Eshun, Ekow (2022) In the Black Fantastic. Cambridge, Massachusettes, US: MIT Press. Available here
Canossi, Lesly. & Lopez-Diago, Zoraida. Eds (2022) Black Matrilineage, Photography, and Representation: Another Way of Knowing. Leuven, Belgium: Leuven University Press. Available here
Khan, Sharlene (2021) Thinking Through Black Feminist Creative Visualization through the Postcolonial Masquerades of South African Visual Artists Mary Sibande and Senzeni Marasela. In Sasinda Futhi Siselapha (Still Here): Black Feminist Approaches to Cultural Studies in South Africa’s Twenty Six Years Since 1994. Derilene (Dee) Marco, Tiffany Willoughby-Herard & Abebe Zegeye, Eds. New Jersey: Africa World Press. 23-49.
Available here
Walters, Tracey (2021) The Art of Dressing Up in Mary Sibande’s Long Live the Dead Queen. In Not Your Mother’s Mammy: The Black Domestic Worker in Transatlantic Women’s Media. New Jersey, US: Rutgers University Press.
Available here
Mersmann, Birgit (2019) Remodeling the Past, Cross-dressing the Future Postcolonial Self-Fashioning for the Global Art Market. In Fashion and Postcolonial Critique. Elke Gaugele & Monica Titton, Eds. Berlin: Sternberg Press. 118-201.
Available here
Hennlich, Andrew (2016) After the Thrill is Gone: Fashion, Politics, and Culture in Contemporary South African Art.
Available here
Foli, Jessica (2012) The Recreation of an Imagined Reality in Mary Sibande’s Long Live the Dead Queen Series according to the socio-cultural aspects of Clothing. In Africa and beyond: arts and sustainable development. United Kingdom: Cambridge Scholars Publishers. 372-390.
Available here
WOMEN-OF-COLOUR CREATIVES