Publications on Sharlene Khan
2018
Spencer, L.G.; Ligaga, D. and Musila, G.A. ‘Gender and Popular Imaginaries in Africa’. Agenda: Empowering Women for Gender Equity, pp. Vol. 32(3). pps. 3-9
Ellapen, J.A. ‘When the Moon Waxes Red: Afro-Asian Intimacies and the Aesthetics of Indenture’, Small Axe 53: July, pps. 94-111
2015
Ellapen, J.A. From Black to Brown: Race, Diaspora, and Post-Apartheid South Africa. Unpublished dissertation submitted in fulfilment of the degree of Doctor of Philsophy, Indiana University, Indiana
Adendorff, A. The Princess in the Veld: Curating Liminality in Contemporary Art Production, University of Pretoria, Unpublished thesis for the degree of PhD (Visual Arts), University of Pretoria
2014
al-Samarai, N.L. ‘Claiming Territory Or: Being a Woman of Colour Artist from the South’ in Asfour, F. and Khan, S. (eds.) I Make Art, Johannesburg: Sharlene Khan, pps. 26-35
Asfour, F. ‘Some place where there isn’t trouble’ in Asfour, F. and Khan, S. (eds.) I Make Art, Johannesburg: Sharlene Khan, pps. 109-129
Govinden, B. ‘For Sharlene Khan: Contemplation’ in Asfour, F. and Khan, S. (eds.) I Make Art, Johannesburg: Sharlene Khan, pps. 82-85
Greslé, Y. ‘When I felt like I just wasn’t being heard’: Sharlene Khan’s Nervous Conditions’ in Asfour, F. and Khan, S. (eds.) I Make Art, Johannesburg: Sharlene Khan, pps. 66-78
Kiguwa, P. ‘Postcolonial Entanglements: Psycho-Social Readings of Race, Gender and Nation in Sharlene Khan’s Nervous Conditions and No Place’ in Asfour, F. and Khan, S. (eds.) I Make Art, Johannesburg: Sharlene Khan, pps. 90-98
Van Der Merwe, L. ‘Sacrificial Bodies as Corporeal Articulations of Violence in the Work of South African Female Artists’. Image & Text. No. 24. pps. 08-30
Pillay, T. The Artistic Practices of Contemporary South African Indian Women Artists: How Race, Class and Gender Affect the Making of Visual Art. Unpublished Masters thesis submitted in fulfillment for the degree of Master of Arts, University of South Africa, Pretoria
2011
Bambelele, P. ‘Artist Explores Other Stories in Joburg’. Sowetan Live. 18 March
Saleem, F. ‘South African Artists to Display Work at VCUQ Gallery’. The Peninsula. Doha, Qatar
Anonymous. ‘Gallery at VCU Qatar Presents ‘Crossing Boundaries: Contemporary Art and Artists from South Africa”.
Anonymous. ‘Crossing Boundaries. Contemporary Art and Artists from South Africa.’ L’Agenda – Qatar. pp. 48
2010
Asfour, F. ‘Introduction’ in Asfour, F. (ed.) What I look like, What I feel like, exhibition catalogue, pp.8-9, Johannesburg: Sharlene Khan
Ligaga, D. ‘Negotiating Identity Through the Gendered and Racialised body of a South African Artist’, in Asfour, F. (ed.) What I look like, What I feel like, exhibition catalogue, pp.26-36, Johannesburg: Sharlene Khan
Tadjo, V. ‘Being the Subject. Sharlene Khan interviewed by Veronique Tadjo’, in Asfour, F. (ed.) What I look like, What I feel like, exhibition catalogue, pp.12-18, Johannesburg: Sharlene Khan
2009
NY Arts. ‘Social Masquerade – Sharlene Khan’, Summer Voices 2009, April, USA
2008
Kumalo-Valentine, Z. ‘Painter with Purpose: Sharlene Khan’, Marie Claire, March, pp.127, South Africa
Asfour, F. ‘Cities in Transformation – Interview with Sharlene Khan’, Amkenah Magazine, Nr. 9, Alexandria
Corrighall, M. ‘Here’s What I Think of your Labels’. Johannesburg
Bohlin, A.L. ‘Gatans liv pa Bildmuseet. “Urban Concerns” ett smarbete med Sydafrika’, Folkbladnet. 19 January
Sjorgen, A. ‘Gatans liv pa Bildmuseet’, Vasterbottens Folkblad. 29 January
Pabale, M. ‘Artists Focus on Built Environment’. Joburg.org.za. 5 March
Asfour, F. ‘Arts’. Karibu. Khanya College, Johannesburg, pp. 7
Mdanda, S. ‘Sharlene Khan at Gallery Momo’, Artthrob, Issue 134 (October)
Simba Sambo. ‘Free Radicals: Dead Revolutionaries Club’, Art South Africa, Vol. 6.3
Janson, Marten. ‘Sharlene Khan – Imagining the Cityscape’
2007
Merchant, Preston. ‘Sharlene Khan: ‘It started off as me and ended up as them’, 8 February
Edblom, S. ‘Subject Matters’, Artlink, Vol 27, No. 2, June, Australia
2006
Smith, K. ‘MTN New Contemporaries’, Art South Africa, Vol. 5.1, Spring, pp.68-69
2005
Pichon, S. ‘Visions de l’Afrique du Sud’, Bordeaux 7, 21 September, Bordeaux , pp.11
Talotta, J. ‘Picking Up the Pace of the Art World’, Business Day Art, July, pp.4-5, Johannesburg
2004
Yorke, Z. ‘The ID of South African Art’, Art South Africa
Van den Ende, J. ‘Identity: Maak Kennis Met de Hedendaagse Zuid-Afrikaanse Kunst’. Amstersdam
Gule, K. ‘Sharlene Khan’ in Perryer, S. (ed.) 10 Years, 100 Artists, Cape Town: Bell-Roberts
Rubin, N. ‘Blurred Visions’, Art South Africa, Vol.03, Issue: 02, Cape Town: Bell-Roberts
Mofokeng, L. ‘Face Value’, Sunday Times (Metro supplement), 5 September, pp.14, Johannesburg
2003
Ryan, M. ‘Murals Cheer Up Durban Station’, The Mercury, 5 February, pp.6, Durban
Marschall, S. Community Murals in South Africa, pp.137-140, Pretoria: University of South Africa
Metrobeat Reporter. ‘Mural Magic’, Metrobeat, September/October, pp.12, Durban
Pillay, P. ‘Art is Sharlene’s Calling’, Post, 17-19 April, pp. 2, Durban
Poldner, K. Storying Durban’s Art Scene, Unpublished Master’s Dissertation, Amsterdam: Vrijestaat Universiteit
2001
Smart, C. ‘Workers’, The Daily News, 13 June, pp.5, Durban
Mercury Reporter. ‘Worker’s Day’, The Mercury, 1 May, pp. 4, Durban
Premdev, D. ‘Durban at Work’, Sunday Tribune (Sunday Magazine), 22 April, pp.3, Durban
Pather, S. ‘Sharlene’s Eye for Detail Reveals Slice of Life Often Overlooked’. The Leader, pp.11, 4 May, Durban
1999
Naidu, K. ‘Art-Stopping Stuff’, Inside UDW, August/September, pp. 4, Durban
Maharaj, N. ‘Murals Helps Ward off the Hospital Blues’, Post, 26-27 May, Durban
1998
Naidu, K. ‘UDW Scores Two Abe Bailey Fellows’, Inside UDW, October/November, pp.4, Durban